STEM

Hot Links | STEM Overhyped? | Critical Thinking in Crisis | Scientific Subjectivity | Sensory Lexicon Gaps

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Getty Images

The Sydney Morning Herald asks: “Are STEM Skills Overhyped?” , while Strategy+Business posits that the lack of executive empathy is due to a dearth of so-called “soft” skills – like critical thinking.

This piece on Medium’s UX Planet highlights the importance of humanities perspectives in design.

This caught our eye: NPR explores the limits of Western languages, when describing scent.

In AEON, Margaret Wertheim’s piece on dimension showcases subjectivity in the sciences (we’ve been saying all along that subjectivity is not the exclusive provenance of the arts)!

Hot Links | Math and Music | STEAM Power for Indy | Design Powered Innovation | The Arrival of AI

All musicans are subconsciously mathematicians
— Thelonious Monk

 

Some are new, some are not.  Nonetheless, all of the articles linked to below are currently fueling our ideas for/discussions on arts-led innovation.

A late, transcendent discovery from 2017: Josh Jones on the mathematics of music in Open Culture.

The Indiana-based Lilly Endowment is offering grants up to $10 million for ideas that will strengthen "Indianapolis Through Arts and Cultural Innovation".

Forbes explores the relationship between triple bottom line design and successful innovation.

Take note: Oracle's CEO Safra Catz says that "AI is finally here."  With this in mind, we ask: how will we manage this in ways that meaningfully improve the circumstances of the planet and its people.

 

 

 

We're Back!

Create the things you wish existed.

I am delighted to announce the refresh and relaunch of the WÆRK blog!  It’s a crucial moment for innovators, businesses, governments and, above all, citizen-consumers, who should all be asking: “what are we buying?  What are we selling? And what is the impact of our purchases on the Earth (and one another)?” 

We plan to challenge the idea of so-called disruption, and encourage the standardization of products and practices that prioritize people first.  We believe that the contemporary innovators’ dilemma can be resolved through the holistic incorporation of art and humanities perspectives into business, technology and scientific innovation.

Each week, we will share insights from creative minds who are leaders in human-centered business, connect our readers to articles on topics that we find enlightening (or of concern), and offer critical perspectives on the necessity for art in business. 

We hope you’ll visit us regularly.

 

With gratitude,

Sacha Wynne

Art as the Crux of Human-Centered Innovation

Image via Sacha Wynne

Image via Sacha Wynne

Notes from our Founder and President's recent talk at the Pratt Institute in New York City.

The Arts at the Crux of Human-Centered Innovation

I’m not sure how familiar you are with business jargon, but industry has largely co-opted terms from the art and design world, and pulled them into what McGill University’s Nancy Adler calls the “dehydrated language” of management.  Creativity, design thinking, and storytelling - are buzz terms used widely in the corporate world, but few businesses are actually putting their actions, or their money, where their mouths are.  Art/culture/design, after 30 years of culture wars, is undervalued or devalued in a culture that is currently obsessed with STEM and big data. 

In 2006, Adler asked the business sector “now that we can do anything, what will we do?”   The answers she proposed illuminated how crucial the artist’s perspective is to meaningful innovation in business.  The answers, provided by the private sector since were apparently: continued focus on STEM and Big Data, to increase efficiency and convenience. 

But should efficiency be prioritized over all else?  How many Frankenstein’s monsters has this quest for convenience birthed?  It’s acknowledged that big data is subject to human error – it’s not infallible – so why the blind trust?

We need business to turn to artists, because only they can lead the private sector forward in ways that that secure the future for nature and humanity.  Artistic ideas are grounded in universality, in reality, in the communities they serve.    Artistic innovation creates at its core: to teach and learn more about life, science must destroy.  It is art that builds and rebuilds as it teaches and learns.

For businesses seeking to reach customers, this perspective is crucial.  We cannot be explained through statistics, but we can be understood through our stories.

So, where do we go from here?  How can artists challenge the business paradigm?

1.     There is always room for more narratives that offer solutions, so don’t hesitate to create a new one, no matter how far out it may seem initially

a.     STEAM initiatives have powerful potential - The strengthening of an ecosystem in which the arts, humanities and sciences, along with the public, private and non-profit sectors operate symbiotically would be incredible. 

However, art need not be viewed as something that enables STEM. We need to articulate its inherent value.  The intrinsic needs to stop apologizing for lack of “rigor”. Instead, perhaps we need new measurement tools to gauge impact. 

b.     There aren’t enough human-centered solutions that expand upon the idea of “social good”.    There are so many needs that remain under-adressed and are ripe for innovation – from low employee morale to lack of work/life balance, from systemic racism to intra-cultural bias.

2.     The art/culture perspective fills gaps in the dominant narrative, by providing access to a plurality of perspectives and encouraging empathy

a.     The disparity between the election results and the prediction from mainstream media outlets exposed the chasm between stats (numbers) and stories (people).  Communities are real and vital.  There is a difference between the real self and the digital self, and art is provides ways of reaching people meaningfully.

3.     The symbiotic relationship between the arts/culture and business shouldn’t be approached as “selling out”, but rather in ways that create opportunity for generating and sustaining arts practice, which in turn bridges gaps between people.

a.     In a fairly recent New York Times article on tech innovation, writer Allison Arieff quotes Jessica Helfand – author of Design : The invention of Desire – “ empathy, humility, compassion, conscience are the key ingredients missing in the pursuit of innovation”.  It is the artists who can bring these “key ingredients” to the fore.  

b.     Silicon valley has made a mint from building businesses upon algorithms that target human behavior, but they are formulas and life is anything but formulaic.  This signals opportunity for artists to create new paradigms that replace focus on shareholder value with prioritizing stakeholder value.

Technology has changed the way we (and the speed of how) we discover, but there are billions of dollars invested in products and services that have no real meaning or value.  This is an opportunity for artists and designers – to co-create alongside the traditional industries (or on our own), in ways that do more than just produce distractions and insta-millionaires.  We have the power to create in ways that benefit and bring together all segments of society.


Solidarity at standing rock showed us the power of culture and community to bring about positive, human-centered change.  It’s no surprise that artists from within and beyond the community played integral roles on-site, helping to spread awareness and expand the sense of shared goals.  To quote Patti Smith – people have the power.

Weekly Links | June 17th, 2016 | The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

Weekly Links | June 17th, 2016 | The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

Weekly Links - May 27th, 2016 | The Digital Humanities | Emotion and Experience Design | Enriching Language Through the Untranslatable | Maintaining Creativity | STEAM Power

Weekly Links - May 27th, 2016 | The Digital Humanities | Emotion and Experience Design | Enriching Language Through the Untranslatable | Maintaining Creativity | STEAM Power

Weekly Links - May 27th, 2016 | The Digital Humanities | Emotion and Experience Design | Enriching Language Through the Untranslatable | Maintaining Creativity | STEAM Power

Pop Culture is Homogeneous and Quantification is to Blame

This is what happens when pop culture is quantified: a cycle of sameness that’s approaching critical mass.  The hackneyed beliefs that deftness with digits implies authority and that algorithms hold the answers are costing us dearly.  To be tethered to quantification is to be risk-averse.  It is to be inoculated against the essence of creativity.

Let’s look at the evidence.

Popular Film

Hollywood is insistent on churning out remake after remake, like a fast food chain that produces empty art instead of calories.  Its merchandising machine, designed to buffer the risk of disappointing box office receipts, distracts the public from the substance of the films it’s created to support.  The executives running Hollywood don’t have the patience to wait for box office receipts to grow, and no longer allow films the time to find their audiences. 

Popular Music

Turn on the radio and you’ll be struck by not only the monotony of the songs, but the sameness of the sound.  Not surprisingly, most of it is made by a handful of producers whose anonymous work is catchy and mundane in nearly identical ways.

Popular Photography

Editorial photography is dominated by the same names, doing the same things. They’re holding fast, instead of charting new territory, probably because publishers are risk-averse at a time that’s financially challenging for most magazines. 

Meanwhile the editorial ethos is being replicated blandly on social media.  Influencers across the globe use filters and flashes in attempts to duplicate the moods of Terry Richardson’s night life, Mario Testino’s sunscapes and Tim Walker’s sugary palette.  The artificial brightness of this Instagram fodder bleaches imperfections and erases depth to cultivate the all-important personal brand, incite covetousness and sell something.

Popular Nightlife

Two words: Brooklyn aesthetic.  Is there anything more uninspired than the globalization of “Brooklyn Cool”?

Popular Fashion

To quote Calvin Klein: "When I see motorcycle jackets for $2,000 that are distressed or ripped jeans from couture designers, I think to myself, 'Are they kidding me?' We've been doing this for 30 years. It's not new," he said. "I understand why it's young and cool, but there is a thing about respect for women and trying to make women look as beautiful as they possibly can, and also [creating] new things. There's a lot that's going on that's disappointing" (italics ours).

Popular Journalism and Prose

You shouldn’t judge a book by its cover, but you can’t judge a digital article by its title: the headline has devolved into a path to an advertisement.  Writers are forced to adhere to SEO at the expense of both message and craft, even though the increasing sophistication of search engines renders it largely unnecessary.  Meanwhile as magazines and newspapers struggle to gain readership, advertorial publications produced by consumer brands rise.  

What is this doing to the way we absorb information?  What is this doing to our ability to communicate and think in nuanced ways?  The advent of advertisement everywhere is suppressing quality creativity and impairing our abilities to connect – with ideas and with one another in significant ways.  The quantification of fundamentally qualitative products and services strips them of their true value and renders their creators impotent.

If everywhere becomes a point of sale, what do we become?

What can we do to change this? 

We can acknowledge the fallibility of data. The best expressions of human life are never formulaic and yet here we are, relying on algorithms. Because we are unpredictable beings, the only thing continued reliance on numbers will ensure is that change is inhibited.

The public and private sectors must begin to prioritize qualitative measurements as valid key performance indicators for arts/culture products and services.  This will nurture the development of diversity and enrich the quality of popular culture.

We’re all searching for meaning – for ourselves, for our families, for our communities and from the world.  Every experience we seek and every product we buy is driven by this quest.  Instead of stalking us with advertisements, it would be more effective for businesses to put as much into the shared creation of meaning as into the production of profit. 

 

Photo by violetkaipa/iStock / Getty Images

Weekly Links - April 8th, 2016

YouMustCreateWAERK.jpg

As we move deeper into April, change is upon us.  The articles that caught our attention this week refer to fundamental shifts in perspective that are essential to securing a sustainable future. Our favourite pieces serve as reminders that algorithms alone are not the answer.

The Chronicle of Higher Education articulates that theatre studies explore and express human actions repressed by technology, and are valuable in the digital age.

The Australian posits that it isn’t STEM but STEAM that will help us to realize our true potential.  That incorporating art/design processes into technical innovation is the best way forward.

Down with clickbait!  Jesse Weaver set Medium alight this week, with a rallying cry for the production of quality content and the empowerment of creative professionals.

We’re grateful for BBC Culture’s introduction to “digital detox zone” Libreria, a retailer that seeks to restore the sense of wonder, conviviality and conversation that are the provenance of the bookstore.

 

Weekly Links - April 1st, 2016

This humanities-driven approach to innovation can create ‘game-changing’ solutions to the major challenges of our societies. They can help transform the ways in which we conceptualise, manage, study and act in the world.
— Kirsten Drotner + Mariachiara Esposito in EuroScientist

This week we discovered several STEAM-y stories.  Our favorites are shared below:

An Italian case study provides recession-proof advice for arts and cultural organizations.

Billed as an intersection of art and technology, this week’s inaugural “Light City Baltimore” festival is transforming the way people look at the city.

Science Europe’s Scientific Committee opines on the importance of the human factor in radical innovation and establishes the arts and culture as “game changing” catalysts.

 

Design Thinking: On the Importance of Unity (STEAM)

The concept of the gestalt should be at the forefront of all design thinking.   The gestalt principles acknowledge the importance of a “unified whole” to successful innovation.   Adherence to these principles encourages cohesion and connection, and ultimately the creation of products and services that are, in their usefulness and beauty, designed to elevate the human experience. 

It is often said that we inhabit a connected era, but I believe that these (hyper) links are largely superficial.  Neither our society nor our workforce is unified and, in spite of the myriad methods of communication available, we are fundamentally disconnected.   This disconnect is exacerbated by the artificial threads woven by technologies that exclude the perspectives of the arts and the humanities – fundamentally people-centric perspectives – from business innovation.  

The prioritization of one perspective (STEM - Science, Technology, Engineering and Math) has led us into an unhealthy system. Businesses do not operate in a vacuum, and the shortsighted prioritization of STEM skills over others has created an imbalance that, if it is not mediated, may lead to disastrous results.  These skewed ideals have led to a proliferation of content without content: like so many artisanal donuts, its appearance belies its lack of substance.  While the perspectives of the arts and humanities are suppressed, their fruits are emptily replicated to achieve questionable ends.  We require a unified approach to best solve the problems of the present and establish a thriving future.

The elevation of the arts and broad humanities into the contemporary, STEM-dominated dialogue will not only empower us to connect meaningfully, it will help us to solve many of the issues that perplex us.  At last, the arts and humanities are finding allies in STEM culture and businesses, who recognize that systems must be complete to function well.

The triple bottom line is dependent on the health and safety of people and planet, and a unified economy will help us to innovate and advance sustainably.  A workforce which equally incorporates perspectives from the sciences, the arts and the humanities will encourage balance and reciprocity, which can deepen comprehension and propel innovation and creativity in ways that are best for culture, commerce and community.

Adapting the gestalt to our commercial sector will facilitate the plurality of skills and perspectives that will advance the triple bottom line of sustainability.  It will help us to repair the fractures and fortify our futures that, though inevitably imperfect, can be continually improved upon.

WÆRK is rooted in the gestalt, and brings people, ideas and products together in ways that encourage a thriving triple bottom line.  We provide the missing pieces to organizations who understand that the processes of business as usual are incomplete.  We encourage our clients to adopt a new way of working, of building and of thinking, so that they may provide the people who buy their products and services with the experiences they want and need.

A lopsided economy will ultimately collapse.  An economy that is a unified whole of many modes of thought and practices will flourish, by developing understanding in the present to advance sustainably in the future.

Photo by Ingram Publishing/Ingram Publishing / Getty Images