creative economies

The Truth About Datastan

We are in a state in which data reigns supreme. In “Datastan” (to use a term coined by the brilliant Arlene Goldbard) data is king and queen, though the kingdom is propped up by falsehoods.   This misinformation prevents the widespread development of generative, empathetic commerce, inhibits culture and strains community cohesion. 

So, what’s the antidote?  Many of us believe it’s the arts.

The inclusion of artistic perspectives in public and private sector discourse could help us to solve our most pressing issues, on both individual and societal levels, and create the future our children and grandchildren deserve.  But first, we need to drop the following delusions about Datastan:

Data is Objective / Reveals the Truth

Human intervention, even if passive, is required to make sense of data.  Therefore ambiguity is diffused throughout the processes of data quantification, because it is shaped by each interpreter’s experiences.  The “data as objectivity as truth” perspective is rife with flaws, but it illustrates that there is validity in subjectivity.  Acknowledgement of imperfection leads the way toward authenticity, and it is the inclusion of the artist’s intuitive perspective that wholly illuminates human truths.

Numbers Provide the Purest Evidence

Numbers are a form of evidence, but not the only form.  Evidence in its most potent form cannot be quantified.  It’s the provenance of memory, sensation, emotion.  It’s the provenance of the artist. The storyteller has just as much skill, if not more, than the scientist when it comes to deciphering human realities and laying them at our feet for inspection.

Data is Hard (and Therefore Reliable). The Arts are Soft (and Therefore Unreliable).

The idea that because something is "hard", that because it is scientific or technical it epitomizes truth is short-sighted and incorrect.  That which is hard may be strong, but it also acts as a barrier, may be brittle, and is inflexible, rigid and stiff.  That which is soft can also be very strong, and is permeable, adaptable, enjoyable and pliable.  There is truth in ambiguity.  Artists' work veraciously acknowledges the universal ambiguity of our individual human experiences. So you see, when important decisions are being made, there are considerable advantages to going soft. 

The reality is that everything humans touch is open to human interpretation.  It only makes sense that human information, or information that affects humans and the world we inhabit, should be viewed through human-focused lenses.  It is the artistic perspective that courageously retains clarity of vision, it’s the artist who hones intuitiveness, it’s the artist who is able to jump levels to see many truths at once, it’s the artist’s perspective that adds significance to fact.

 

 

Design Thinking: On the Importance of Unity (STEAM)

The concept of the gestalt should be at the forefront of all design thinking.   The gestalt principles acknowledge the importance of a “unified whole” to successful innovation.   Adherence to these principles encourages cohesion and connection, and ultimately the creation of products and services that are, in their usefulness and beauty, designed to elevate the human experience. 

It is often said that we inhabit a connected era, but I believe that these (hyper) links are largely superficial.  Neither our society nor our workforce is unified and, in spite of the myriad methods of communication available, we are fundamentally disconnected.   This disconnect is exacerbated by the artificial threads woven by technologies that exclude the perspectives of the arts and the humanities – fundamentally people-centric perspectives – from business innovation.  

The prioritization of one perspective (STEM - Science, Technology, Engineering and Math) has led us into an unhealthy system. Businesses do not operate in a vacuum, and the shortsighted prioritization of STEM skills over others has created an imbalance that, if it is not mediated, may lead to disastrous results.  These skewed ideals have led to a proliferation of content without content: like so many artisanal donuts, its appearance belies its lack of substance.  While the perspectives of the arts and humanities are suppressed, their fruits are emptily replicated to achieve questionable ends.  We require a unified approach to best solve the problems of the present and establish a thriving future.

The elevation of the arts and broad humanities into the contemporary, STEM-dominated dialogue will not only empower us to connect meaningfully, it will help us to solve many of the issues that perplex us.  At last, the arts and humanities are finding allies in STEM culture and businesses, who recognize that systems must be complete to function well.

The triple bottom line is dependent on the health and safety of people and planet, and a unified economy will help us to innovate and advance sustainably.  A workforce which equally incorporates perspectives from the sciences, the arts and the humanities will encourage balance and reciprocity, which can deepen comprehension and propel innovation and creativity in ways that are best for culture, commerce and community.

Adapting the gestalt to our commercial sector will facilitate the plurality of skills and perspectives that will advance the triple bottom line of sustainability.  It will help us to repair the fractures and fortify our futures that, though inevitably imperfect, can be continually improved upon.

WÆRK is rooted in the gestalt, and brings people, ideas and products together in ways that encourage a thriving triple bottom line.  We provide the missing pieces to organizations who understand that the processes of business as usual are incomplete.  We encourage our clients to adopt a new way of working, of building and of thinking, so that they may provide the people who buy their products and services with the experiences they want and need.

A lopsided economy will ultimately collapse.  An economy that is a unified whole of many modes of thought and practices will flourish, by developing understanding in the present to advance sustainably in the future.

Photo by Ingram Publishing/Ingram Publishing / Getty Images

Six Things We're Thankful For in 2015

As the Thanksgiving holiday approaches in the U.S., we celebrate the many people we are thankful for: our friends and family members, our advisers and clients, and everyone who has joined us on our journey. 

There are also a lot of things we’re grateful for this year, and we’d like to share our top six with you:

  1. We’re thankful for the New York City MTA’s Poetry in Motion, for providing inspiration during our daily commutes.
  2. We’re thankful for the Louisiana Museum of Modern Art’s Louisiana Channel. It provides us with introductions to new perspectives from our favorite artists, and introduces us to artists we would’ve been unfamiliar with otherwise.
  3. We’re thankful for Sarah Stodola’s “Process: The Writing Lives of Great Authors”, for drawing attention to the routines, rituals and practices that resulted in the creation of cherished literary works (and for reminding the world that the muse is one hardworking mother!).
  4. We’re thankful for Elsie’s Parlor, for providing us with delicious, caffeinated fuel for early morning brainstorms.
  5. We’re thankful for Bevy Smith’s Instagram page, for its continual reminders that a "gratitude attitude" will get you everywhere.
  6. We’re thankful for Americans for the Arts’ Art and Business Council, for facilitating creative partnerships that unite culture, commerce and communities.

What are the things you're thankful for? Please share your thoughts in the comments section.

Photo by Comstock/Stockbyte / Getty Images

Design Thinking: Bauhaus Philosophy and an Inclusive Future

Although Walter Gropius founded the Bauhaus nearly a century ago, the movement’s influence on design is ubiquitous. Its emphasis on clean lines and form/function unity is everywhere – from street signs to home furnishings, to the smartphone you may be reading this on.    As the Bauhaus philosophy approaches its centenary, we believe that its less visible tenets are similarly relevant to contemporary life and, if adopted, have sweeping implications for progressive future.

In addition to advocating for beauty in everyday life, the Bauhaus believed in:

  • The elimination of creative hierarchies (something we feel strongly about)
  • A focus on collective benefits and widespread access
  • Art as a means of problem solving in modern society
  • The artist’s role in society as an active participant
  • That good designs should produce no waste

Digital technologies provide ideal environments in which to expand these tenets.   “Good design creates great experiences” by making connections between ideas, objects and events that may not be immediately apparent.  These connections create affinities between diverse individuals and disparate communities, and provide opportunities to remove barriers – physical, emotional, psychological. It’s true: collective creative effort generates dynamic results.

At WÆRK, we adopt a Bauhaus philosophy and employ it in each project and within all of our operations.  We bring beauty to everyday life by equally including perspectives from the arts, sciences and humanities in all of our projects.   We take our clients on journeys through the grey areas that color the spectrum of life, and help them to build things, experiences and ideas that matter, through a focus on revealing understanding.

Widespread adoption, of the Bauhaus philosophy's inclusive tenets, can point us toward a future that is both connected and kind.  One in which creativity is propelled by empathy and intuition, and technology isn’t beholden to the cult of efficiency über alles.

Photo by Jelena_Z/iStock / Getty Images