Design Thinking

Art as the Crux of Human-Centered Innovation

Image via Sacha Wynne

Image via Sacha Wynne

Notes from our Founder and President's recent talk at the Pratt Institute in New York City.

The Arts at the Crux of Human-Centered Innovation

I’m not sure how familiar you are with business jargon, but industry has largely co-opted terms from the art and design world, and pulled them into what McGill University’s Nancy Adler calls the “dehydrated language” of management.  Creativity, design thinking, and storytelling - are buzz terms used widely in the corporate world, but few businesses are actually putting their actions, or their money, where their mouths are.  Art/culture/design, after 30 years of culture wars, is undervalued or devalued in a culture that is currently obsessed with STEM and big data. 

In 2006, Adler asked the business sector “now that we can do anything, what will we do?”   The answers she proposed illuminated how crucial the artist’s perspective is to meaningful innovation in business.  The answers, provided by the private sector since were apparently: continued focus on STEM and Big Data, to increase efficiency and convenience. 

But should efficiency be prioritized over all else?  How many Frankenstein’s monsters has this quest for convenience birthed?  It’s acknowledged that big data is subject to human error – it’s not infallible – so why the blind trust?

We need business to turn to artists, because only they can lead the private sector forward in ways that that secure the future for nature and humanity.  Artistic ideas are grounded in universality, in reality, in the communities they serve.    Artistic innovation creates at its core: to teach and learn more about life, science must destroy.  It is art that builds and rebuilds as it teaches and learns.

For businesses seeking to reach customers, this perspective is crucial.  We cannot be explained through statistics, but we can be understood through our stories.

So, where do we go from here?  How can artists challenge the business paradigm?

1.     There is always room for more narratives that offer solutions, so don’t hesitate to create a new one, no matter how far out it may seem initially

a.     STEAM initiatives have powerful potential - The strengthening of an ecosystem in which the arts, humanities and sciences, along with the public, private and non-profit sectors operate symbiotically would be incredible. 

However, art need not be viewed as something that enables STEM. We need to articulate its inherent value.  The intrinsic needs to stop apologizing for lack of “rigor”. Instead, perhaps we need new measurement tools to gauge impact. 

b.     There aren’t enough human-centered solutions that expand upon the idea of “social good”.    There are so many needs that remain under-adressed and are ripe for innovation – from low employee morale to lack of work/life balance, from systemic racism to intra-cultural bias.

2.     The art/culture perspective fills gaps in the dominant narrative, by providing access to a plurality of perspectives and encouraging empathy

a.     The disparity between the election results and the prediction from mainstream media outlets exposed the chasm between stats (numbers) and stories (people).  Communities are real and vital.  There is a difference between the real self and the digital self, and art is provides ways of reaching people meaningfully.

3.     The symbiotic relationship between the arts/culture and business shouldn’t be approached as “selling out”, but rather in ways that create opportunity for generating and sustaining arts practice, which in turn bridges gaps between people.

a.     In a fairly recent New York Times article on tech innovation, writer Allison Arieff quotes Jessica Helfand – author of Design : The invention of Desire – “ empathy, humility, compassion, conscience are the key ingredients missing in the pursuit of innovation”.  It is the artists who can bring these “key ingredients” to the fore.  

b.     Silicon valley has made a mint from building businesses upon algorithms that target human behavior, but they are formulas and life is anything but formulaic.  This signals opportunity for artists to create new paradigms that replace focus on shareholder value with prioritizing stakeholder value.

Technology has changed the way we (and the speed of how) we discover, but there are billions of dollars invested in products and services that have no real meaning or value.  This is an opportunity for artists and designers – to co-create alongside the traditional industries (or on our own), in ways that do more than just produce distractions and insta-millionaires.  We have the power to create in ways that benefit and bring together all segments of society.


Solidarity at standing rock showed us the power of culture and community to bring about positive, human-centered change.  It’s no surprise that artists from within and beyond the community played integral roles on-site, helping to spread awareness and expand the sense of shared goals.  To quote Patti Smith – people have the power.

Hot Links | Createquity on The Impact of the Arts and Culture

Arts participation contributes directly to quality of life by increasing self-reported happiness and life satisfaction.
— Createquity

Our Founder, Sacha Wynne, recently had the honor of collaborating with Createquity’s research and editorial teams on a few articles.  This includes a recently published feature article that explores the impact of participatory arts activities on the health and quality of life of older adults. 

From Createquity: 

With both the U.S. and global populations aging in unprecedented numbers, this article sheds light on the promise of participatory arts activities in alleviating some of the challenges that come with getting older, and the ever-growing need for creative aging. 

In particular, the evidence on participatory arts activities and the health and quality of life of older adults indicates that:

            • Singing improves mental health and subjective wellbeing (i.e., perceived quality of life)

            • Taking dance classes bolsters cognition and motor skills, and even lessens the likelihood of developing dementia later in life

            • Playing a musical instrument has myriad positive effects, including dementia risk reduction

            • Visual arts practice generates increases in social engagement, psychological health and self-esteem

Just how the arts benefit society is one of the most studied topics in arts research…[Createquity] has sought to determine how the arts contribute to or detract from wellbeing in various ways, and the strength of the evidence supporting each mechanism. 

This week, Createquity released another article and an infographic summarizing their findings to date.  Per Createquity, “this will be the world's first resource that not only depicts the state of evidence demonstrating the various benefits of the arts, but tracks shifts in that evidence base over time.”

We encourage you to explore the findings of these pivotal reports.

The WÆRK Team 

Weekly Links | June 24th, 2016 | Cursive and Cognition | Conference Room Riffing | Human-Focused Innovation by Teens | Samsung and a Human-Focused IoT | Corporations Seeking Heart

Cursive and Cognition| Conference Room Riffing | Human-Focused Innovation by Teens | Samsung and a Human-Focused IoT | Corporations Seeking Heart

Weekly Links | June 17th, 2016 | The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

Weekly Links | June 17th, 2016 | The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

Weekly Links - April 29th, 2016

This week, we were inspired by articles that highlight the conviviality that the arts bring to the public and private sectors:

The New York Times introduced us to the ways in which art helps police officers to perceive the world from a variety of perspectives.

An Australian Op-Ed reinforced the communal links between the arts and the sciences.

Time Out London featured an artist-led UK campaign to bring the arts to the political forefront.

We were also inspired by boutique fashion business Emerson Fry.  Its founders bravely announced a business model transformation designed to bring balance to their professional and personal lives, while keeping the brand's promises to their customers.

Photo by PongsakornJun/iStock / Getty Images

Weekly Links - April 22nd, 2016

Love is forever
that’s all your life
love is heaven sent
it’s glamorous
— Prince

This week, reeling from the loss of a musical genius, we’re sharing articles that reveal the transformative power of art in every aspect of life.

Vox on why we mourn artists we’ve never met so deeply.

An ArtPlace study on how the arts and culture intersect with public safety.

A National Foundation for the Arts blog post on the art (and necessity) of failure.

How Rick Lowe’s experiment in livable art continues to transform the everyday for ordinary people.

Weekly Links - April 8th, 2016

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As we move deeper into April, change is upon us.  The articles that caught our attention this week refer to fundamental shifts in perspective that are essential to securing a sustainable future. Our favourite pieces serve as reminders that algorithms alone are not the answer.

The Chronicle of Higher Education articulates that theatre studies explore and express human actions repressed by technology, and are valuable in the digital age.

The Australian posits that it isn’t STEM but STEAM that will help us to realize our true potential.  That incorporating art/design processes into technical innovation is the best way forward.

Down with clickbait!  Jesse Weaver set Medium alight this week, with a rallying cry for the production of quality content and the empowerment of creative professionals.

We’re grateful for BBC Culture’s introduction to “digital detox zone” Libreria, a retailer that seeks to restore the sense of wonder, conviviality and conversation that are the provenance of the bookstore.

 

Weekly Links

This change puts people at the center of the equation, where they belong. It acknowledges that companies don’t have a purpose; they aren’t innovative; they don’t even exist — people do.
— Tiago Forte

This week, our interest was piqued by a watercolorist, a call-to-action for workforce change and a poet's meditations on remembrance:

This NEA interview with painter Debra Cartwright illustrates the arts' influence on social evolution, and the reality that a day job doesn’t negate one’s identity as an artist

We are enthusiastic about Forte Labs’ People-Centric Equation for Modern Work

This poem by Joy Harjo inspires our exploration of familiar territories