design thinking

Artists Will Hold The Most Important Design Jobs of the Future

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Earlier this week, Fast Company published predictions for The Most Important Design Jobs of the Future.  Designers from iconic organizations identified 18 jobs that will develop in the years to come.  Among them, there are at least four that require the presence of artistic perspectives and skills: Conductor, Cybernetic Director, Fusionist and Interventionist.  All of these roles require the ability to cultivate cross-disciplinary understanding, bridge seemingly disparate forces, communicate the complex with simplicity and perceive all that is essential – in the culture, not just in the marketplace.

Artists* retain a wholeness of perspective that eludes those in most other disciplines.  Designers and architects work in similarly holistic ways, but there is a remove at which much of their work holds humanity.  Though function is always a priority, feeling is not necessarily so. 

Artists’ exploration of emotion, of universal, fundamental feelings will protect us – by asserting the primacy of humanity and the world around us – as technological advancement hurtles forward.  Without nature there is nothing.

Many emergent creative people, especially those who identify as artists, limit themselves by crafting professional identities that are tethered exclusively to their crafts.  But it’s through embracing their full selves that the spectrum of their talents can be revealed.  This will have not only positive implications for the creation of art, but the business community as well.

The future is always unknown, but we can work toward ensuring one that is beautiful and sustainable.  Conductors, Cybernetic Directors, Fusionists and Interventionists, who are also artists, will help us to get there.

 

*Our definition of "artist" is liberal and includes visual artists, filmmakers, performing artists, literary artists, multimedia artists, digital artists, artisans, craftspeople and many more.

Design Thinking: On the Importance of Unity (STEAM)

The concept of the gestalt should be at the forefront of all design thinking.   The gestalt principles acknowledge the importance of a “unified whole” to successful innovation.   Adherence to these principles encourages cohesion and connection, and ultimately the creation of products and services that are, in their usefulness and beauty, designed to elevate the human experience. 

It is often said that we inhabit a connected era, but I believe that these (hyper) links are largely superficial.  Neither our society nor our workforce is unified and, in spite of the myriad methods of communication available, we are fundamentally disconnected.   This disconnect is exacerbated by the artificial threads woven by technologies that exclude the perspectives of the arts and the humanities – fundamentally people-centric perspectives – from business innovation.  

The prioritization of one perspective (STEM - Science, Technology, Engineering and Math) has led us into an unhealthy system. Businesses do not operate in a vacuum, and the shortsighted prioritization of STEM skills over others has created an imbalance that, if it is not mediated, may lead to disastrous results.  These skewed ideals have led to a proliferation of content without content: like so many artisanal donuts, its appearance belies its lack of substance.  While the perspectives of the arts and humanities are suppressed, their fruits are emptily replicated to achieve questionable ends.  We require a unified approach to best solve the problems of the present and establish a thriving future.

The elevation of the arts and broad humanities into the contemporary, STEM-dominated dialogue will not only empower us to connect meaningfully, it will help us to solve many of the issues that perplex us.  At last, the arts and humanities are finding allies in STEM culture and businesses, who recognize that systems must be complete to function well.

The triple bottom line is dependent on the health and safety of people and planet, and a unified economy will help us to innovate and advance sustainably.  A workforce which equally incorporates perspectives from the sciences, the arts and the humanities will encourage balance and reciprocity, which can deepen comprehension and propel innovation and creativity in ways that are best for culture, commerce and community.

Adapting the gestalt to our commercial sector will facilitate the plurality of skills and perspectives that will advance the triple bottom line of sustainability.  It will help us to repair the fractures and fortify our futures that, though inevitably imperfect, can be continually improved upon.

WÆRK is rooted in the gestalt, and brings people, ideas and products together in ways that encourage a thriving triple bottom line.  We provide the missing pieces to organizations who understand that the processes of business as usual are incomplete.  We encourage our clients to adopt a new way of working, of building and of thinking, so that they may provide the people who buy their products and services with the experiences they want and need.

A lopsided economy will ultimately collapse.  An economy that is a unified whole of many modes of thought and practices will flourish, by developing understanding in the present to advance sustainably in the future.

Photo by Ingram Publishing/Ingram Publishing / Getty Images

Design Thinking: Bauhaus Philosophy and an Inclusive Future

Although Walter Gropius founded the Bauhaus nearly a century ago, the movement’s influence on design is ubiquitous. Its emphasis on clean lines and form/function unity is everywhere – from street signs to home furnishings, to the smartphone you may be reading this on.    As the Bauhaus philosophy approaches its centenary, we believe that its less visible tenets are similarly relevant to contemporary life and, if adopted, have sweeping implications for progressive future.

In addition to advocating for beauty in everyday life, the Bauhaus believed in:

  • The elimination of creative hierarchies (something we feel strongly about)
  • A focus on collective benefits and widespread access
  • Art as a means of problem solving in modern society
  • The artist’s role in society as an active participant
  • That good designs should produce no waste

Digital technologies provide ideal environments in which to expand these tenets.   “Good design creates great experiences” by making connections between ideas, objects and events that may not be immediately apparent.  These connections create affinities between diverse individuals and disparate communities, and provide opportunities to remove barriers – physical, emotional, psychological. It’s true: collective creative effort generates dynamic results.

At WÆRK, we adopt a Bauhaus philosophy and employ it in each project and within all of our operations.  We bring beauty to everyday life by equally including perspectives from the arts, sciences and humanities in all of our projects.   We take our clients on journeys through the grey areas that color the spectrum of life, and help them to build things, experiences and ideas that matter, through a focus on revealing understanding.

Widespread adoption, of the Bauhaus philosophy's inclusive tenets, can point us toward a future that is both connected and kind.  One in which creativity is propelled by empathy and intuition, and technology isn’t beholden to the cult of efficiency über alles.

Photo by Jelena_Z/iStock / Getty Images