Creativity

Hot Links | Art and Next-Gen Innovation | Spongy Cities | A Call for Data Innovation | More AI Alarm Bells

Photo by {artist}/{collectionName} / Getty Images

Photo by {artist}/{collectionName} / Getty Images

Some are new, some are not.  Nonetheless, all of the articles linked to below are currently fueling our ideas for/discussions on arts-led innovation.

More proof that qualities inherent to arts practice and education are crucial components of transformative innovation.

Climate change has come and it is STEAM that may save us.  The idea of “spongier” cities brilliantly exposes the potential for human-made solutions to human-made problems.

In revealing the tricks of the Ad Tech trade, this “whistleblower” shines a spotlight on the necessity of prioritizing the consistent human management of emerging technologies. 

The Census Bureau is seeking innovative collaborators, to help them to gather and interpret data.  What an incredible opportunity, for human-centered technologies!

We’re at it again!  Here’s another great read, this time by Yarden Katz in SSRN, on the dangers of unchecked Artificial Intelligence.

 

Weekly Links | Searching for Better Solutions | Pop Culture's Gatekeepers | Human-Aware AI | Socially Aware Museums | Libraries Make a Comeback

Searching for Better Solutions | Pop Culture's Gatekeepers | Human-Aware AI | Socially Aware Museums | Libraries Make a Comeback

Weekly Links | June 17th, 2016 | The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

Weekly Links | June 17th, 2016 | The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

The Necessity of Offline Artist Space | Empathy Empowers Consumer Goods Design | Art and Women in Innovation

Weekly Links - April 29th, 2016

This week, we were inspired by articles that highlight the conviviality that the arts bring to the public and private sectors:

The New York Times introduced us to the ways in which art helps police officers to perceive the world from a variety of perspectives.

An Australian Op-Ed reinforced the communal links between the arts and the sciences.

Time Out London featured an artist-led UK campaign to bring the arts to the political forefront.

We were also inspired by boutique fashion business Emerson Fry.  Its founders bravely announced a business model transformation designed to bring balance to their professional and personal lives, while keeping the brand's promises to their customers.

Photo by PongsakornJun/iStock / Getty Images

Weekly Links

This change puts people at the center of the equation, where they belong. It acknowledges that companies don’t have a purpose; they aren’t innovative; they don’t even exist — people do.
— Tiago Forte

This week, our interest was piqued by a watercolorist, a call-to-action for workforce change and a poet's meditations on remembrance:

This NEA interview with painter Debra Cartwright illustrates the arts' influence on social evolution, and the reality that a day job doesn’t negate one’s identity as an artist

We are enthusiastic about Forte Labs’ People-Centric Equation for Modern Work

This poem by Joy Harjo inspires our exploration of familiar territories

 

 

Art, Technology and the Internet of Things. Part 1 of 4.

Photo by scyther5/iStock / Getty Images
Photo by scyther5/iStock / Getty Images

Very soon, it is believed, everything – animate and inanimate – will be connected through the Internet.  This concept, known as the “Internet of Things”, is lauded as a revolutionary means to advance humanity by boosting efficiency.   Yet this reality, the connection between all things at all times, is nothing new: for millennia, the arts and culture have connected people, places and things across vast distances – and have advanced much more than mere efficiency.  

As technology’s influence ascends in public consciousness, the perception of the importance of the arts and culture to daily American life is waning.  Coders, software developers and other digital professionals have expanded our society’s definitions of creativity.  However, although the idea of creativity is lauded, the work of artists and culture bearers is trivialized as superfluous, out-of-touch, inessential.  The commercial value of art is increasing as dramatically as respect for the intrinsic value of art practice is diminishing.

In 2014, the Pew Research Center published a report on the Internet of Things, featuring predictions for 2025 by thought and business leaders in the technical and academic sectors.  Although no one can predict exactly what the Internet of Things will be, nearly everyone surveyed agreed: that widespread connectivity will be the norm in the future, that our personal information will be collected and used in ways that may both help and hinder us, and that the way we interact with the world around us will be transformed. 

The consequences of a connected future that isn’t holistic, that takes the emotional, spiritual and aesthetic needs of humanity for granted are potentially disastrous.  The unchecked ascent of digital technologies and digital consumerism should be probed by artists and culture bearers, to illuminate both the risks for the global citizenry and the progress that can be derived by a system in which the arts and culture facilitate a checks and balances system for anti-empathetic products and practices. 

Technology has its limits, and it is there where the arts and culture thrive.  After two decades of “disruption” by the advent of digital technology into daily life, artists and culture bearers are armed with the perspective, access and familiarity with digital media, to advance an inclusive future.  Collaborations between the arts/culture and technology sectors may address some of the societal concerns and heal the societal ruptures brought on by digital technologies. 

Parts Two and Three of this series will specifically address four ways in which these cross-sector collaborations can transform our current realities.

 

"Creative" Doesn't Cut It

Artists and culture bearers, I think it’s time to revise the lexicon; “creative” just doesn’t cut it anymore.   The language of creative economies advanced by Richard Florida, and widely adopted by the tech sector, runs roughshod over the relevance of artists and culture bearers and suppresses their influence.

These “new” creative industries are thriving financially, while the traditional creative industries are witnessing the devaluation of artistic skills and the disappearance of professional opportunities.  There is an inverse relationship between the declining viability of careers in the arts and culture in major U.S. cities and the increase in artistic references (often without attribution or context) in the marketplace. 

We must find the means to articulate the necessity of the artist and the culture bearer in the marketplace, our communities and our individual lives. We must innovate broadly to create opportunities for these highly-skilled professionals.  We must develop language to elevate issues relevant to artists and culture bearers, so they don’t get lost in the shuffle of the creative economies.

WÆRK uses the term “artisanal creative” to refer to artists and culture bearers, but we’d love to hear your suggestions. Please share them in the comments.

Photo by WÆRK